KDHX RADIO REVIEWS OFF BROADWAY SHOW 4/26/12

A review from the recent Midwest solo tour supported by Andy Friedman.
www.kdhx.org

HORSE LATITUDES BAND IN THE MIDWEST

The February 2012 Midwest Tour will feature full band appearances at Schuba’s Tavern in Chicago, Illinois and the Stoughton Opera House in Stoughton, Wisconsin. Jeffrey will be joined by Eric Heywood (Pretenders, Ray Lamontagne) on electric and pedal steel guitars, Billy Conway (Morphine) on drums, with Hayward Williams (Cold Satellite) on bass. Tell your friends, and reserve your tickets pronto.

www.schubas.com
www.stoughtonoperahouse.com
Photo Credit: ogasawara.ch

DOWNLOAD THE PRESS RELEASE

‘REAL LOVE’ SINGLE

‘Real Love’, an unreleased full band cut from the Horse Latitudes sessions, will be available 12/6 as a digital single on iTunes, and worldwide anywhere digital music is sold. A sprightly country rocker, ‘Real Love’ was written in a bar some years ago on a Southwest tour, originally to the tune of ‘Let’s Roll Another Number For the Road’ by Neil Young.

COLD SATELLITE EUROPEAN RELEASE SET FOR NOVEMBER 2011

Cold Satellite - the 2010 album of songs based on the writing of contemporary American poet Lisa OIstein - will be available in Europe as of November 7th via Continental Record Services, with a full band European tour to follow in early 2012. For more information visit:

HORSE LATITUDES WEST COAST RELEASE TOUR STARTS 10/18

The west coast release tour begins at Fremont Abbey in Seattle Tuesday 10/18, with a split-bill show with banjo legend and great songwriter Danny Barnes, a very tall man from Texas who can pick hell out of a banjo. Jeffrey will be backed by Portland’s Jay Kardong (Sera Cahoone, Grand Archives) on pedal steel for the duration of the tour, which winds up with Cafe Du Nord in San Francisco 10/25. Check the tour page for full details, alert your friends, wait for the sign.

DON HENLEY COVERS 'EVERYBODY'S FAMOUS' AT THE GREEK THEATER IN LOS ANGELES

Read the article in the Orange County Register.

LADIES AND GENTLEMEN, WE GIVE YOU THE BIRD

Redbird - the occasional session featuring Jeffrey Foucault, Kris Delmhorst, Peter Mulvey, and David Goodrich - will reconvene August 19th, 20th, and 21st at PASSIM in Cambridge, MA. for a series of shows and some degree of chaos.

JEFFREY FOUCAULT & COLD SATELLITE TO APPEAR AT TWEED RIVER MUSIC FESTIVAL

Jeffrey and the band (Billy Conway, drums; Jeremy Moses Curtis, bass; David Goodrich, electric guitar; Alex Mccollough, pedal steel) will play a Saturday set at the Tweed River Music Festival in Stockbridge, Vermont August 13th. Acts appearing at this year’s festival include Peter Mulvey, Session Americana, Andy Friedman, Bow Thayer’s Perfect Trainwreck, and the legendary Booker T.

Tickets and details can be found at www.tweedrivermusicfestival.com

JEFFREY PLAYS EVERY WEDNESDAY IN JULY AT LIZARD LOUNGE IN CAMBRIDGE, MA

Jeffrey will be playing a Wednesday night residency at the Lizard Lounge (downstairs at Cambridge Common, near Harvard Square, Mass Ave) through July. Special guests, new songs, electric feedback, cold beer, general chaos. Don’t miss it.

NO DEPRESSION REVIEWS HORSE LATITUDES

“…pure beauty and one of the best Americana albums this year”.

05.03.11 HORSE LATITUDES OFFICIAL RELEASE TODAY!

New Yorker Magazine Cover

04.14.11 Jeffrey in the New Yorker Magazine

Previewing Jeffrey’s upcoming full-band appearance at Joe’s Pub in New York City, the New Yorker magazine said: “...Foucault’s voice, and his themes, are gruff, sombre, and deep, and his accompanying musicians, including the Pretenders’ Eric Heywood, on pedal steel, create a sparse, dramatic soundscape.”

The Believer Magazine Cover

02.02.11 Greil Marcus Reviews Cold Satellite in The Believer Magazine

“…a country feel that puts the people who live in the Nashville charts to shame. Then a deep-ditch electric guitar takes a country song into the blues, and lets it go back where it came from. Nothing is pressed, to the point that sometimes the way the voice pulls away from a word or a guitar from a phrase is its own kind of preciousness… Foucault drifts over the words so lightly that they seem to fade as they’re sung, and you might stop trying to hear them as words, let them come as sounds”